In several of the scenes murderer without memory, actor Liam Neeson seems to find himself in familiar places. And indeed, he almost self-consciously reprises the brutal killer roles that have made him famous over the past decade. Again, the character he plays has a troubled past. Also a brutal and effective talent for killing. But especially, a twisted intuition to face any obstacle with a kind of refined cruelty. Neeson, who has made an art of silent, violent and unstoppable characters, finds in murderer without memory a family place. Also, an unknown challenge that must be overcome with an unknown look at dark spaces on a complex character.
This time, the plot takes the usual figure of the unstoppable force embodied by Neeson into a new space. And it is to doubt, not his skills with various weapons, marksmanship or courage to face risk, but his memory. The script written by Dario Scardapane and Carl Joos based on the story by Jef Geeraerts creates a compelling sense of an uncertain place. Alex (Neeson) will have to face the usual enemies of similar premises, but also a worse and more twisted one. His mind, which collapses and deals with reality with an insurmountable obstacle to overcome. With a rare insight into identity, murderer without memory decides to create an unusual perception about his characters. One halfway between the notion about its physical limits and the lurking danger that becomes a point of considerable value when telling the story.
Without a doubt, for Neeson, who has been playing similar characters for more than a decade, the caveat is a challenge to overcome. In particular, because murderer without memory it makes special emphasis on how the memory that degrades, is a scenario to the periphery. This violent assassin, who must undertake one last mission, must also test the limits that sustain him. At the same time, try to go through the danger and the conception of risk in the midst of vulnerability. The combination allows Neeson to move beyond the usual clichés and plot twists and create a complex character in the midst of an unthinkable situation. But also, dealing with new nuances that demonstrate his histrionic capacity to sustain powerful, strange and increasingly elaborate characters.
murderer without memory
“The film Assassin without memory”, starring Liam Neson, It is the umpteenth version of the murderer who must fight to preserve his life and discover his past. But this time, Neeson manages to put an innovative twist on the idea of a blind chase amid confusing and often misleading scenarios. The plot is surprising for its agility, but especially for giving the actor the chance to demonstrate — again — his relentless precision. All in the midst of a more interesting story, an original twist and a look at moral good and evil that surprises with its depth in similar films.
A murderer without memory, the litmus test of a formula
Alex Lewis is a killer who has built a fearsome reputation for decades. Not only because of his abilities, but because of the fact that he is practically unstoppable. murderer without memory makes it clear almost immediately that the character has no special predilection for cruelty, but kills efficiently. And although it seems a common resource in the films of the genre, here it is of fundamental importance. Cold, precise and with an appreciable emotional distance, for Alex all murders are the same thing. Or at least, they have the same sense of fulfilling a task in which he is not interested in deepening.
So when early symptoms of Alzheimer’s affect you, sorting out bits of information in your mind will be tricky. Especially when facts, dates and circumstances are mixed up in the middle of a long confusing succession. Alex, who until now had been a solitary figure, isolated and with total confidence in his ability, will have to fight against himself. Also, against the fact of a newfound humanity. The plot of Asesino sin memoria raises the change from a singular subtlety. In particular, when Alex must make a decision that involves revising everything he has done so far. At the same time, one will make you a target of pursuit and the next target of assassins as impeccable as he himself is.
Tasked with taking out two targets before he retires, Alex finds it’s not that easy to just kill. Much less now, when his mind becomes a dark and fragmented land. And even more complicated, when you ask about the morality of those who send him, they torment him. The set of perceptions about good, evil and moral, turn the film into a very strange conception about fear and uncertainty. All in the midst of shootings, outlandish plans and bloody confrontations.
But in the end, Neeson shows that he is capable of taking on the emotional baggage of a character in two-dimensional appearance. Memoryless Killer is much more ambitious than several of the similarly themed films that Neeson has starred in over the past five years. Also, an unusual, disconcerting and at times overwhelming perception about the substance of truth. All in the form of a series of lines that intertwine with each other to sustain a powerful story.
The best of two worlds
With a complex character to play and the familiar terrain of action movies, Neeson finds perhaps his most balanced film in years. Also, the most elegant in execution and the most accurate in creative condition and the actor’s ability to provide personality to seemingly bland premises. murderer without memory it runs through the perception of murder as a major event and of a murderer, as an observer of silent horrors.
Between both things, Neeson manages to create a more elaborate and profound version of his best-known characters. Perhaps, the greatest addition to a film that analyzes violence from new layers and that, in the end, firmly creates the perception of power. A high point for action movies and especially for the actor’s recent filmography.