At this point, one cannot explain that there are adults who sit down to watch an animated film with the skepticism of a forgiver, thinking that it is a work of a lower genre because that of the drawings is something for children. They are suitable for kids, of course; but for a long time others have been able to enjoy them when there is a certain talent to seduce an intergenerational audience in them. AND Ron gives error (Sarah Smith, Jean-Philippe Vine and Octavio E. Rodríguez, 2021) is a good example of this virtue; another one.
The large film studios, which invest a lot of time and capital in the long development of their film projects, do not work in an unthinking way and try to go with lead feet and not to stitch without thread. Of course, on few occasions they achieve something exceptional because the truly sublime is a minority, but they provide us with quite a few opportunities to have fun as spectators. On these robotic adventures of Locksmith Animation and 20th Century Studios inclusive.
An animated six-handed adventure
To achieve this and not screw it up, they usually rely on professionals who have shown that they know the trade. From the filmmakers at the helm of Ron gives error, the british Sarah smith has directed episodes in little relevant series, but also Arthur Christmas: Operation Gift (2011) with Barry Cook.
As for your compatriot Jean-Philippe Vine, has dealt with fourteen chapters of Shaun the sheep (David Fine, Alison Snowden and Richard Starzak, 2007-2020) and has been animation assistant at the Oscar-winning Wallace and Gromit: The Curse of the Vegetables (Steve Box and Nick Park, 2005), cartoonist of the storyboards of Pirates! (Peter Lord and Jeff Newitt, 2012) and minor screenwriter for Reverse and Arlo’s journey (Pete Docter and Ronnie del Carmen, Peter Sohn, 2015).
And, as for the Californian Octavio E. Rodriguez, has conceived the storyboards from Johnny Bravo (Van Partible, 1997-2004), sponge Bob (Stephen Hillenburg, since 1999), Coconut (Lee Unkrich and Adrian Molina, 2017) or Incredibles 2 (Brad Bird, 2018), for whose scripts he has contributed things, such as those of Star Wars: The Clone Wars (George Lucas, 2008-2020) and Monsters university (Dan Scanlon, 2013), and has made three episodes of The amazing stories of Captain Underpants (Peter Hastings and Mark Banker, 2018-2020).
‘Ron makes a mistake’ and the fireworks of humor
The initial sequence of Ron gives error It is very popera, almost mold, when it comes to technological presentations, and one is struck by the fear that this nice feature film stay in sterile tokenism and lack of ingenuity. Those of the assembly line cinema, in short, without incentives and the only objective of entertaining the popcorn families on weekends. But, afterwards, it provides us a fun battery of situations full of kaffir humor and surrealism with which we open our eyes wide and our lips curl.
Because, from the first really witty hit, Ron gives error It is like a fireworks show in which humorous rockets are fired with a cadence firm, and thus maintains our attention without wavering at any time.
That of Sarah Smith, Jean-Philippe Vine and Octavio E. Rodríguez, on the other hand, is one of those films that take advantage of the ignorance or naivety of a strange character to provoke hilarious and our laughter more sincere. And the credit goes to the lucid script co-written by Peter Baynham (Hotel transylvania) and Sarah Smith herself and her staging.
The ‘Ron makes a mistake’ salt shaker
The animated technique of Ron gives error it shows always timely but not dazzling, characteristic in which it coincides with the electronic soundtrack of Henry Jackman (Kong: Skull Island). And, due to its kernel, we remember the two films of Short circuit (John Badham, Kenneth Johnson, 1986, 1988) or from Big hero 6 (Chris Williams and Don Hall, 2014); and, if we want to hurry on its dramatic ingredients, even ET (Steven Spielberg, 1982) or from Terminator 2: Final Judgment (James Cameron, 1984) in a sense.
In addition, we find references to the most successful franchises of The Walt Disney Company throughout Ralph breaks the internet (Rich Moore and Phil Johnston, 2018) or Free guy (Shawn Levy, 2021), but much more restrained and, therefore, less special or funny. Despite this, they are not missed because the salt shaker of Ron gives error is more than enough to build a sparkling autonomy and a very satisfying emotional evolution.