Hitman movies are usually a guaranteed success in action movies and the recently released john wick 4 It is its maximum expression. Frequently, the plots show criminals acting alone, in the midst of increasingly violent confrontations, with the only recourse of their ability to survive. Let’s not forget that they are experts in hundreds of ways to kill, damage and destroy. Something makes them, without a doubt, always intriguing characters, with a lot to offer the genre.
However, for some years now, the hired killers in the cinema have had new characteristics. Little by little, the arguments around them have become more complicated and even some recurring element has been incorporated. Secret criminal societies, for example, have become a frequent plot twist for all kinds of serial killer movies where violence plays a leading role.
Especially the ones that try to subvert the usual one-man army formula in order to give it a new flavor. Who pays the bills for the ostentatious life of a murderer who travels the world killing for hire? Where does he find his weapons? Where does he go if he gets hurt? The answers to the most common questions about contemporary evil are part of this new perspective on cinematographic action.
For this reason, we leave you with five recommendations for hitman movies that delve into criminal societies and organizations of the sophisticated criminal underworld. Those who support a new mythology about power, violence and the ability to kill. All topics as chilling as they are attractive for today’s cinema.
The John Wick saga, the best movies about contract killers
In the year 2014, Chad Stahelski brought a breath of fresh air to revenge storylines on the big screen. john wick It wasn’t just another hit-man movie. It was pitched as a whole new exploration of good and evil in a setting of grim justice. In it, Derek Kolstad’s script analyzed the figure of the unstoppable criminal from an unusual perspective.
The protagonist, played by Keanu Reeves, did not kill for money or special cruelty. His motive was as unusual as it was touching. In the midst of mourning the death of his wife, john wick He was in retirement when he was attacked and the only thing he treasured was taken from him: Daisy, his beagle dog, the last gift of the deceased. What begins as a ruthless act ends up becoming the engine of revenge on a large scale.
But one of the most interesting points of the plot is, without a doubt, the revelation that John Wick is not just a mercenary. He is also – or at least was – part of a criminal organization whose tentacles extend through the main cities of the West. In which the so-called high table it is a type of power outside the established that is sustained by its own rules.
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A rarity among hit-man movies that already spans a saga of four movies and two futures. spin-off. The dark shadow of a perfectly organized criminal community remains the backbone of the story. Also one of its most intriguing points and with the greatest possibilities of making a place for itself in the history of cinema.
bullet train
This film, based on the play by Kōtarō Isaka and directed by David Leitch, is a combination of genres. On the one hand, a satire on destiny, predestination and the threads that unite the lives of five characters. On the other, a full-fledged action film in which a group of murderers face each other to survive. All of which happens in the middle of the nightly run of the Tokyo bullet train. An extravagant hit-man movie that questions a society that pulls strings in a Machiavellian way to use violence to its advantage.
Although, in this case, the formula is accentuated. ladybug (Brad Pitt) is a criminal who must deal with all kinds of unlikely situations. While he talks on the phone with Maria (Sandra Bullock), this insinuates that both belong to a group of professional criminals. Gradually, the plot analyzes the links of power that intertwine in the script. Specifically, how the clash between criminals from different backgrounds turns into a strange invisible war. One of the highest and best achieved points of this strange example of contract killers in the cinema.
Gunpowder Milkshake (explosive cocktail)
Sam (Karen Gillan) is a relentless professional assassin. the signature, the mysterious organized group she works for, knows how dangerous she can be. Something that, after making a crucial mistake, will place her at the center of a huge operation to try to stop her. Not only from those she until then considered her companions, but also from the father of one of her victims.
This old acquaintance among contract killer movies does not achieve the levels of intelligence that the saga reaches john wick, but skillfully shows the strange world that surrounds its characters. From a hospital specialized in caring for — and obeying — criminals, to an apparently harmless restaurant that becomes a neutral setting.
The feature film delves into the unknown ins and outs of organized crime, scenarios with their own rules, limitations and laws. That with his cruelty he will cause a battle of factions that will lead to a bloody dispute for holding power with unforeseeable consequences.
Nobody
Hutch Mansell (Bob Odenkirk) is an ordinary guy who lives in a tedious suburban routine. An exemplary family man and invisible citizen, he doesn’t seem to have any great aspirations other than to get home and eat dinner. Until two criminals enter to steal and end up pushing the protagonist back to his old life. In his past life, hutch was a editor, a mixture of ferocious assassin and enforcer of the American security services.
Nobody It is part of those serial killer movies that mix two traditional action genres. On the one hand, it is the well-known story of a man who depends on his own resources for revenge. However, he is also part of a government organization that hides his files in a secret location in the Pentagon. In addition, he is a character as cruel and violent as the criminals he faces, a singularity that makes him even more enigmatic.
Ilya Naishuller’s film doesn’t delve too deeply into the group of criminals. What he does do is show the more sinister aspects of governments and entities in the shadow of his influence. Yet it is Hutch, in all his mocking ruthlessness and endless array of abilities, that is the most astonishing feature of this killer-for-hire movie’s plot.
Robin (Nicolas Cage) lives in complete isolation. His only company is a huge truffle sow, a kind of emotional daughter and symbol of his mysterious past life. When the animal is stolen, the hermit will go after it and do whatever it takes—even kill—to get it back.
In addition to the philosophical exploration of loneliness and uprooting, Michael Sarnoski’s script is part of the hit-man movie genre. Seeking Robin de su animal is related to a violent group that poses a curious subtext to the plot.
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Beyond being only a homicidal organization, it is also a kind of cult related to food, the power of eating and tasting. The film progresses through a unique setting in which behind a tasteful facade lies something far more brutal.