Tomorrow, Thursday, August 18, Marvel Studios will premiere She-Hulk: Attorney at Law in Disney+that is why now that its start is approaching, fans are excited for the latest installment of the Marvel Cinematic Universe.
This series that will star Tatiana Maslany under the head writer Jessica Gao and director Kat Coiro, where Mark Ruffalo he’s also set to reprise his role as Bruce Banner/Hulk and has already appeared during the post-credits scene of Shang-Chi and the Legend of the Ten Rings, so if you were wondering what the exact timeline is of when he develops the She-Hulk series, it would seem that “it’s not too far” after the events of Shang-Chi.
So that Jessica Gaoduring a recent interview revealed when the series takes place: “It’s not, like, years later. It’s a relatively short period of time.”and it is that She-Hulk: Attorney at Law recently went through a controversy about how the main character’s visual effects looked, that was because the series was still being worked on when the first preview was released, so the CGI wasn’t finished and fans trashed its first look.
Now, with the series so close to release, those behind the series are speaking out about the fan outrage and at the TCAs, Gao, Coiro, and Maslany revealed how they felt about the CGI fiasco: “As for the criticism of CGI, I think it has to do with our culture’s belief in the ownership of women’s bodies”Choir said. “I think a lot of the criticism comes from feeling like they can rip the CGI woman apart.”
“There is a lot of talk about his body type and we based it on Olympic athletes and not bodybuilders. But I think if we had If it went the other way, we would be facing the same criticism. I think it’s very difficult to win when you make women’s bodies.”
“This is a huge undertaking to have a show where the main character is CG”says lead writer Jessica Gao. “It’s terrible that so many artists feel rushed and feel like the workload is too great. I think everyone on this panel stands in solidarity with all the workers. We stand in solidarity with what they say is the truth.”Choir said. “We work with them, but we are not behind the scenes in these long days and nights. If they feel pressure, we are with them and we listen to them.”
“I feel incredibly respectful of the talent of these artists and how quickly they have to work. Obviously much faster than they should probably be given in terms of producing these things. We have to be very cognizant of the conditions. of work, which are not always optimal”Maslany concluded.