A week has passed since we last reviewed the news on the Spanish billboard and the data from a box office that is beginning to look like Groundhog Day, because once again, and after a month and a half on the bill, ‘Spider -Man: No Way Home’ has risen again as the most viewed between January 21 and 23 with a collection of 0.65 million euros.
This figure is indicative of the poor situation of the Spanish box office, in which None of the titles in the Top 5 have been able to overcome the barrier of one million eurosand whose most outstanding launch has been that of ‘El alley of lost souls’, which has only been able to occupy second position with 0.52 million euros.
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Behind him, ‘Sing 2!’ continues to wage war after five weeks with 0.44 million euros, remaining very close to the debut of ‘The Williams method’, which has closed its opening with 0.39 million euros, technically tied with a ‘Scream’ that continues to gradually deflate with other 0.38 million euros in your pocket.
The premieres of January 29, 2022
‘Grandma’ (2021)
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After his magnificent Galician-style Korean thriller ‘Who kills with iron’, Paco Plaza returns through the front door to terror with ‘La granny’; an exploration of old age, death, the cult of the body and dependency with a script by Carlos Vermut and starring an Almudena Amor who bursts onto the big screen wasting talent. That’s how it tastes
Criticism in Espinof: San Sebastian Festival 2021 | ‘Who impedes it’ brings us closer to youth through the hand of Jonás Trueba, and in ‘La grandmother’ Paco Plaza reminds us of the terror of old age
In Espinof
17 masterpieces of Spanish horror
‘Belfast’ (2021)
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After ‘Artemis Fowl’ and a ‘Death on the Nile’ that, in the end, will end up arriving much later than expected, Kenneth Branagh returns to theaters as a director with ‘Belfast’, a charming look at his childhood in the which explores the Irish conflict in exquisite form and storytelling.
Criticism in Espinof: ‘Belfast’ is impressive: Kenneth Branagh achieves a moving artistic triumph capturing the Irish conflict through innocence
‘Everything has gone well’ (‘Tout s’est bien passé’, 2021)
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After passing through the official section of the last edition of the Cannes Festival, the prestigious filmmaker François Ozon adapts Emmanuèle Bernheim in ‘Everything went well’; a drama about old age and disability that soberly addresses her discourse and stands out thanks to the performances of Sophie Marceau, André Dussollier and Charlotte Rampling.
Criticism in Espinof: Cannes 2021: ‘Everything has gone well’ leaves us with a correct Ozon and ‘Ahed’s Knee’ an extreme Lapid
‘On a dock in Normandy’
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Winner of the Audience Award for Best European Film at the last edition of the San Sebastian Festival, ‘En un dock de Normandía’, Emmanuel Carrère’s latest work, offers us a social drama with a great claim that has a name and surname: Juliette Binoche .
Plus…
‘Prisoners of Ghostland’ (‘Prisoners of the Ghostland’, 2021)
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In Espinof: Syfy 2021 | ‘The Medium’ manages to distress with a Thai-style possession and not even Nicolas Cage saves ‘Prisoners of the Ghostland’
‘The Pact’ (‘The Pact’, 2021)
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‘Look for me’ (‘See For Me’, 2021)
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‘We are nothing’ (2021)
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‘Francisca’ (1981)
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More recommendations in File Espinof
If this week’s releases don’t catch your eye or you want to recover titles that have been in theaters longer, remember that you can take a look at the films in theaters from last week and the previous one. And if you still want even more recommendations, don’t forget that in our weekly Newsletter ‘Expediente Espinof’ we offer you a selection of movies and television for all palates curated by our editors.
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The news
Movie premieres: ‘La granny’ by Paco Plaza and ‘Belfast’ by Kenneth Branagh arrive in theaters with stagnant box office and still dominated by Spider-Man
was originally published in
Espinof
by Victor Lopez G. .