Cauduro used his art to make a social criticism about the injustices to the marginalized, his legacy will remain, for example, in the mural of the Insurgentes Metro, on the facade of a building located on Avenida Veracruz, in Colonia Roma and on the steps of the Supreme Court of Justice in which he criticizes the Mexican judicial system, which is considered a masterpiece due to its technique.
The Mexican muralist probably belongs to the last generation of real artists, outside of digitization. His works, those majestic ones that leave you breathless, are the last we will see in their splendor, now NFTs or unique digital assets are works of digital art that have gained relevance especially after the sale of a piece of art for 70 million dollars.
How to understand that the sensitivity and passion that artists like Cauduro imprinted on their murals tend to be done on a machine and appreciated through a screen.
Everything is transformed, much more art, a living activity, but there are evolutions that hurt not only because of nostalgia but because it is an essential part of human beings, a segment that cannot be filled with pixels.
Little will remain of artists like Cauduro, who studied architecture and industrial design at the Universidad Iberoamericana, with the use of digital tools and artificial intelligence, therefore, preserving the work and that of others at the level of Rafael is paramount.