the war of the future, one of the most recent releases on Netflix, nothing is saved. This, which at first glance may be a virtue, also entails a drawback for production. Its rhythm is fast, direct, without much space for reflection. This is attractive because it leads the viewer directly into the action. Although sometimes it would be convenient to have some temporary nuance to give explanations.
This Asian film (made in Hong Kong) tells the story of how a squad must try to exterminate a plant that is affecting part of life on the planet and, at the same time, is purifying the atmosphere. If this synopsis is not entirely attractive, it should be noted that it is a post-apocalyptic story set in 2055. Man clashes with nature again through science and force to try to overcome it.
The detail, in the war of the future, is that this nature does not belong to the Earth and has its own resources to defend itself. It could be said that it is an extraterrestrial species, a cannibalistic plant that devours concrete, meat and metal in equal proportion. This pulse between what is human and what seems irrational fosters a series of attractive sections that summarize part of the essence of the film: It is a science fiction movie that has good action scenes.
the war of the future
It is a post-apocalyptic story in which the earth is in danger, after a meteorite collided and left a plant that is attacking the planet. At the same time, this unwanted guest is healing part of the atmosphere, in a context marked by pollution. To address this situation, an elite group is responsible for bringing an antidote to the nucleus.
The aesthetics and the tone of the war of the future
Much in this film, from the framing to the pacing, evokes productions of the Marvel Cinematic Universe, sequences that can be seen or evoke anime and even influences from some video games. This mix of references come together in an interesting way, providing a striking visual experience. Although there is not a Captain Americacannot be compared with Made in Abyss or be understood as a carbon copy of games like Resident Evil.
However, there is a bit of all this in the war of the future and that is one of its main attractions. It is the directorial debut of yuen fai ng, who is referred to as a renowned visual effects actor. In this first foray behind the camera, his handling of the different languages that he wants to reach or by which he allows himself to be influenced is convincing, effective and entertaining, especially during the action sections.
The decision to merge different genres into a single production can also be read as an interesting test in relation to the audience: we are the result of consuming various narratives in multiple formats. The director seems aware of this and tries to maintain a dialogue through those resources. He succeeds, while the chosen group approaches his mission: exterminate the plant through a serum / antidote.
The tension of the movie
It is the main debt of the war of the future. Although his language works, his characters grow, the threat and paradox it represents is clear (an entity that attacks the planet while helping to clean it of so much contamination), sometimes that focus is lost. Upon retaking it, several issues become apparent.
Therefore, if the viewer is distracted or enchanted by the action sequences, they may be missing something. In the event that the viewing is done from the entertainment venue, Netflix has come up with a production in which hand-to-hand combat and other action scenes are easily imposed because they are very well done, both for handling the camera as for the post-production work. That may be why it has quickly positioned itself within the platform as a trend.
the war of the future It has been available on Netflix since December 2..